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The Making of Umkhosi Wenala

The Making of Umkhosi Wenala

Empatheatre and Mbazwana Creative Arts (MCA)in association with Amehlo Productions are proud to present a short documentary film centring on the devising of their acclaimed musical theatrical production Umkhosi Wenala .


This theater-making/storytelling project set out to create an innovative democratic decision-making space for youth in northern KZN, South Africa through the process of restorative public storytelling.


The film is directed and edited by Karen Logan of Amhelo productions with cinematography by Marcello Maffeis and we are thrilled to have this beautiful record of the project which Karen and her team have lovingly created for us. 


The film features interviews with Empatheatre Project leader Mpume Mthombeni, Mbazwana Creative Arts director Sphamandla Mzombe and academic Dr Philile Mbatha, whose research in the Zululand area shaped much of the final script of the production.

Restoring Lost Histories and Memories 


In a region marked by the legacies of apartheid, certain perspectives and histories have been marginalized in decision-making processes. Umkhosi Wenala aimed to re-map these lost histories and memories by placing the leadership in the hands of KZN youth. Through interviews and stories of co-collaborators on the theatre project, such as Dr. Philile Mbata, Mpume Mthombeni, Spha Mzobe and Mbali Ntuli, the film explores how the production was created as a means of amplifying the untold stories from the region. 


The film explores how, over a period of 18 months, the team set out to listen to stories of elders, youth and everyone in between in Northern KZN to surface the rich and diverse histories of this region. With the legacies of apartheid, many perspectives and histories had been excluded in decision making, and this play set out to re-map these lost histories and memories alongside the leadership of KZN youth. 


From out of the research, the team created a 60 minute musical (told in isiZulu and English) which tells the story of two twins, a brother Nkosana and sister Makhosazana who inherit a kingdom after the disappearance of their mother, a queen, said to have drowned in the ocean. The two Nkosi’s, destined to rule together, are divided by circumstance and political forces beyond their control. After two decades of betrayal and conflict between their competing kingdoms, the situation further escalates with the arrival of a fence which cuts the communities off from their village and resources and resurfaces past tensions and new resentments. The production weaves together many relevant moments from the last century of Northern Zululand’s history and uses humour, pathos, satire, ritual and music to tell its story.


The musical, performed in both isiZulu and English, revolved around the story of twin siblings, Nkosana and Makhosazana, who inherit a kingdom and face division, political forces, and past tensions. Umkhosi Wenala skillfully weaved together relevant moments from Northern Zululand's history, utilizing humour, pathos, satire, ritual, and music to convey its narrative. 


Addressing Environmental Racism and Spatial Planning 


One of the big themes of the film is unpacking Northern Kwa-Zulu Natal’s long and painful history of exclusion and environmental racism, with communities forcibly removed from their ancestral lands for the benefit of mining, tourism, and conservation. The region surrounding the IsiMangaliso National Park, despite being declared a world heritage site, has yet to fully acknowledge and include the cultural heritages of the local Zulu and Tsonga people in its plans and projects. Umkhosi Wenala aimed to challenge this by initiating a public dialogue and alternative approach to spatial planning. By incorporating traditional knowledge, contemporary social dynamics, and cultural phenomena into decision-making processes, the project sought to create a more inclusive and comprehensive understanding of the region. At the conclusion of each performance in Mbazwana, audiences were invited to remain behind for a facilitated conversation and discussion with the performers and creative team, this approach could deeply contribute to how we make spatial decisions around the ocean, considering its violent histories associated with the Group Areas Act of 1950 and the conflation of settler colonialism and fortress conservation in the region. 


Building Capacity and Creating Alternative Maps


The film also unpacks our work as One Ocean Hub and Empatheatre, where it aimed to impact two fronts. Firstly, it created a powerful theatrical spectacle where audience members actively participated in a "call and response" storytelling process that reshaped the land, generating an "alternate archive" from the local perspective. Secondly, the project focused on capacity building for 13 young artist-activists, empowering them to become advocates for their communities surrounding the World Heritage Site. Collaborating with local knowledge holders, the participants engaged in ongoing dialogue, ensuring their stories and insights were accurately represented in the final production. 


Impact and Future Possibilities 


The film also reflects on Umkhosi Wenala’s significant impact on the community. Over 1,500 residents, learners, and stakeholders attended the production, fostering dialogue and understanding. The project's inclusive approach, incorporating diverse voices and stories, ensured cultural authenticity and accountability in representation. Moreover, the production's potential as an alternative public consultation methodology and archive opens opportunities for its use in Environmental Impact Assessments, Policy consultations, and Strategic Environmental Assessments. The project provided a platform for the Mbazwana participants to expand their creative practices into new territories, becoming experts in the socio-cultural histories of the region. By embracing restorative public storytelling and empowering youth, Umkhosi Wenala serves as a catalyst for social change, community engagement, and the preservation of cultural heritage.

The film has been screened internationally at international policy events, such as the International year of the artisanal fisher at the FAO headquarters in Rome, and goes on to contribute to World Oceans Week 2023, in June, at the UN headquarters in New York City. The film launched online on the 21st April, and intends to contribute to various forms of Ocean literacy work in the future. 

 

Umkhosi Wenala  was devised and co-created  by the award-winning Empatheatre team of Mpume Mthombeni, Dylan McGarry and Neil Coppen alongside Mbazwana Creative Arts members Sphamandla Mzombe, Dumasani Ngubane, Njabulo Zikhali , Mbali Ntuli, Siphamandla Vusi Mafuleka, Noxolo Thandeka Mlungwana, Zimpendulo Petunia Mthembu, Nokubonga Zikhali, Nolwazi Zulu, Nelisiwe Mbuyazi and Nomthandazo Nxumalo.

 

The production was made  possible through generous support from the  Bertha Foundation (Bertha Artivism Award 2022), NAC (National Arts Council) , The One Ocean HUB and ACEP DEEP CONNECTIONS project. 

 

With special thanks to Dr Philile Mbatha for sharing her research and knowledge so generously with us, Adrian Kawaley-Lathan and the incredible team at the Bertha Foundation, Wendy and Neville Aliyff for all their love and support. 


Much gratitude and respect for the guidance and wisdom of Elder Jerry Mngomezulu and his activist network. Jen Whittingham for being such an integral friend and advisor on the project. Casey Pratt, Jackie Bruniquel, Karen Logan, Marcello Maffeis and Caroline Burne.


Watch our documentary on The Making of Umkhosi Wenala


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